The Elephant Man OST - 10 - Adagio for Strings

This beloved work has been used famously in films and public moments of mourning, and Leonard Slatkin led it earlier in 2016 with the DSO.

Theme song from the movie Composer- John Williams

Adagio for Strings by Samuel Barber.

Recorded live at the Organ Inauguration Concert in the Palace of Arts of Budapest on June 4th, 2006. •●The Official Video Site of Concert Organist Xaver Varnus●• Born in Budapest, his first piano teacher was Emma Németh, one of the last pupils of Claude Debussy. Xaver Varnus has played virtually every important organ in the world, including those in Bach's Thomaskirche in Leipzig (2014), Berliner Dom (2013), Notre-Dame (1981), Saint-Sulpice (2006) and Saint-Eustache (1996) in Paris, National Shrine in Washington, D.C. (1985), and Canterbury Cathedral (2004), as well as the largest existing instrument in the world, the Wanamaker Organ in Philadelphia (1985). His Quadruple Platinum Disc winning album From Ravel to Vangelis, released by Sony BMG in 2007, is the best-selling collection of organ recordings ever. "Put simply, Varnus is a monster talent, every bit as stimulating and individual as the late Glenn Gould". (The Globe & Mail, Canada's National Newspaper, 1985) Social sites: ● FACEBOOK site ●: https://www.facebook.com/xavervarnus/ ● e-mail ●: xavervarnus@hotmail.com

Dmitri Shostakovich - Waltz No. 2

Francisco de Asís Tárrega y Eixea (21 November 1852 - 15 December 1909) was an influential Spanish composer and guitarist of the Romantic period. Guitar: David Russell

Loop from Samuel Barber's Adagio for Strings, transposed via software to the 432Hz tunning. Performed by The New York Philharmonic, conducted by Leonard Bernstein. Try also the amazing Reversed & Slower version: https://www.youtube.com/watch?v=YYN7-P7d_aU ***** Try also the amazing Reversed & Slower Series: https://www.youtube.com/playlist?list=PLyxrfb4MWVE2lp5C8karA5hkPOU2_ymq7 “If you want to find the secrets of the universe, think in terms of energy, frequency and vibration.” - Nikola Tesla “The highest goal of music is to connect one’s soul to their Divine Nature, not entertainment” - Pythagoras (569- 475 BC) # Buy a coffee for Julay: http://ko-fi.com/A017BH6 # Julay's music @ 432Hz: https://julayjohnb.bandcamp.com

Composer - Alan Silvestri.... I OWN NOTHING! ALL RIGHTS ARE RESERVED FOR THEIR RIGHTFUL OWNERS. NO COPYRIGHT INFRIDGEMENT IS INTENDED!!

Several clips from The Tree of Life, with the hauntingly beautiful Lacrimosa in the background by Zbigniew Preisner. Behold true beauty in sound and vision.

La grande sonata al chiaro di luna.

Alfred Eric Leslie Satie (Honfleur, 17 May 1866 -- Paris, 1 July 1925) was a French composer and pianist. Starting with his first composition in 1884, he signed his name as Erik Satie. Satie was introduced as a "gymnopedist" in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a "phonometrograph" or "phonometrician" (meaning "someone who measures (and writes down) sounds") preferring this designation to that of "musician," after having been called "a clumsy but subtle technician" in a book on contemporary French composers published in 1911. In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American Vanity Fair. Although in later life he prided himself on always publishing his work under his own name, in the late nineteenth century he appears to have used pseudonyms such as Virginie Lebeau and François de Paule in some of his published writings. Satie was a colourful figure in the early 20th century Parisian avant-garde. He was a precursor to later artistic movements such as minimalism, repetitive music and the Theatre of the Absurd. The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist, Erik Satie. These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopedies are regarded as the precursors to modern ambient music[citation needed] - gentle yet somewhat eccentric pieces which, when composed, defied the classical tradition. For instance, the first few bars feature a disjunct chordal theme in the bass - first, a G-major 7th in the bass, and then a B-minor chord, also in the lower register. Then comes the one-note theme in D major. Although the collection of chords at first seems too complex to be harmonious, the melody soon imbues the work with a soothing atmospheric quality. Satie himself used the term "furniture music" to refer to some of his pieces, implying they could be used as mood-setting background music. However, Satie used this term to refer to only some of his later, 20th century compositions, without specific reference to the Gymnopédies as background music. From the second half of the 20th century on, the Gymnopédies were often erroneously described as part of Satie's body of furniture music, perhaps due to John Cage's interpretation of them. [from Wikipedia] Artwork:Leonora Carrington "The Temptation of st.Anthony" Played by:Daniel Varsano, Philippe Entremont

Title : George Frederic Handel , Sarabande Handel 's Sarabnande was played in the movie " Barry Lyndon "

Whoever you are...

Ennio Morricone - The Mission Main Theme (Morricone Conducts Morricone)

Please avoid posting comments about Samuel Barber's sexuality and enjoy the music! Any hateful comments will be removed. Composer: Samuel Barber (1910-1981) Performed here by: The Dale Warland Singers _________________ About this song: Samuel Barber rejected many arrangements, of Adagio for Strings, published by G. Schirmer, such as the organ arrangement by William Strickland. However he did transcribe the piece in 1967 for eight-part choir, as a setting of the Agnus Dei ("Lamb of God"). Adagio for Strings (the string version of this piece) can be heard on many film, TV, and video game soundtracks, including Oliver Stone's Oscar-winning film "Platoon", David Lynch's 1980 Oscar-nominated film "The Elephant Man", Michael Moore's documentary "Sicko", "Swimming Upstream", "Lorenzo's Oil", "A Very Natural Thing", "Reconstruction", and Jean-Pierre Jeunet's Oscar-nominated 2001 film "Amélie". It has been heard in episodes of The Simpsons, Big Brother 2010 (UK), That Mitchell and Webb Look, The Boondocks, South Park, How I Met Your Mother, Seinfeld, ER (TV series), Red Dwarf, Big Love, and Mystery Science Theater 3000. A recorded performance by the London Symphony Orchestra was, for a time, the highest selling classical piece on iTunes. This choral version, Agnus Dei, can be heard in the soundtrack to the PC video game Homeworld (released in 1999, awarded with the Game of the Year accolade from the PC Gamer magazine). The work is extremely popular in the electronic dance music genre, notably in trance. Artists who have covered it include Armin van Buuren, William Orbit, Ferry Corsten, and Tiësto. eRa included this song in their new album Classics. Adagio is the final song on the final collaborative Peter, Paul and Mary album "Peter Paul and Mary, With Symphony Orchestra". Mary Travers had requested that Adagio be played at her memorial service. It was also played at the Royal Albert Concert Hall on the 15th September 2001 in memorial of the attacks on America that shook the world four days beforehand. About the photograph: Saint Paul's Cathedral, London, during the Blitz. This cathedral has survived despite being targeted during the Blitz - it was struck by bombs on 10 October 1940 and 17 April 1941. On 12 September 1940 a time-delayed bomb that had struck the cathedral was successfully defused and removed by a bomb disposal detachment of Royal Engineers under the command of Temporary Lieutenant Robert Davies. Had this bomb detonated, it would have totally destroyed the cathedral, as it left a 100-foot (30 m) crater when it was later remotely detonated in a secure location. As a result of this action, Davies was awarded the George Cross, along with Sapper George Cameron Wylie. On 29 December 1940, the cathedral had another close call when an incendiary bomb became lodged in the lead shell of the dome but fell outwards onto the Stone Gallery and was put out before it could ignite the dome timbers. One of the most iconic images of London during the war was a photograph of St Paul's taken the same day by photographer Herbert Mason (in this video), from the roof of the Daily Mail in Tudor Street showing the cathedral shrouded in smoke. Lisa Jardine of Queen Mary, University of London has written: Wreathed in billowing smoke, amidst the chaos and destruction of war, the pale dome stands proud and glorious - indomitable. At the height of that air-raid, Sir Winston Churchill telephoned the Guildhall to insist that all fire-fighting resources be directed at St Paul's. The cathedral must be saved, he said, damage to the fabric would sap the morale of the country. FACEBOOK: http://www.facebook.com/TheJazzRoomMusic TWITTER: http://twitter.com/JazzRoomMusic YOUTUBE: http://www.youtube.com/TheJazzRoom

Simone Lamsma (violin) - Davida Scheffers (cor anglais) Watch til the end, emotion guaranteed... Davida Scheffers has lived her dream in winning a contest and the opportunity to play with the dutch Orchestra. Davida suffers from an extremely painful neuromuscular condition that derailed her career, and she thought she would never get to play in a professional orchestra again... The young blond lady is her daughter and was 18 years old that day. - All racist or offensive comments will be reported and deleted. - Video from RTL Netherlands show. https://www.rtl.nl/ - Special thanks to RTL NL for not blocking this video for copyrighting, masterpiece of human feelings representation through music. It had to be shared...

my brothers live stream follow him :http://www.twitch.tv/skivadgurka watch jesusmk123: http://www.youtube.com/watch?v=QKq5DcfWrQE&context=C4214c3fADvjVQa1PpcFOLCXhmtHEUqAPs867eBJGJ1XAR97_qnf4= register at LoL here and help me out::http://signup.leagueoflegends.com/?ref=4f93fd54877ea451112316

Elephant Man Main Theme, by John Morris. For me this music represents the sickness in childhood, caused by the repression, being it necessary or not (not the point here).

*NO COPYRIGHT INFRINGEMENT INTENDED* *I DO NOT OWN THE RIGHTS TO THIS MATERIAL* For listening/enjoyment purposes only - supported by the community at http://www.davidlynchworld.com

Taken from 'Memoryhouse' Available at: FatCat webstore: http://bit.ly/14gGYYF iTunes: http://bit.ly/11rpOXf Spotify: http://bit.ly/18O5OQy http://www.maxrichtermusic.com https://www.facebook.com/pages/Max-Richter/285056078942 https://twitter.com/#!/maxrichtermusic http://soundcloud.com/max-richter http://www.myspace.com/maxrichtermusic

Danse Macabre (first performed in 1875) is the name of opus 40 by French composer Camille Saint-Saëns. The composition is based upon a poem by Henri Cazalis, on an old French superstition: Zig, zig, zig, Death in a cadence, Striking with his heel a tomb, Death at midnight plays a dance-tune, Zig, zig, zig, on his violin. The winter wind blows and the night is dark; Moans are heard in the linden trees. Through the gloom, white skeletons pass, Running and leaping in their shrouds. Zig, zig, zig, each one is frisking, The bones of the dancers are heard to crack— But hist! of a sudden they quit the round, They push forward, they fly; the cock has crowed. According to the ancient superstition, "Death" appears at midnight every year on Halloween. Death has the power to call forth the dead from their graves to dance for him while he plays his fiddle (represented by a solo violin with its E-string tuned to an E-flat in an example of scordatura tuning). His skeletons dance for him until the first break of dawn, when they must return to their graves until the next year. The piece opens with a harp playing a single note, D, twelve times to signify the clock striking midnight, accompanied by soft chords from the string section. This then leads to the eerie E flat and A chords (also known as a tritone or the "Devil's chord") played by a solo violin, representing death on his fiddle. After which the main theme is heard on a solo flute and is followed by a descending scale on the solo violin. The rest of the orchestra, particularly the lower instruments of the string section, then joins in on the descending scale. The main theme and the scale is then heard throughout the various sections of the orchestra until it breaks to the solo violin and the harp playing the scale. The piece becomes more energetic and climaxes at this point; the full orchestra playing with strong dynamics.Towards the end of the piece, there is another violin solo, now modulating, which is then joined by the rest of the orchestra. The final section, a pianissimo, represents the dawn breaking and the skeletons returning to their graves. The piece makes particular use of the xylophone in a particular theme to imitate the sounds of rattling bones. Saint-Saëns uses a similar motif in the Fossils part of his Carnival of the Animals. [from Wikipedia] Artwork:Remedios Varo,"Les Feuilles Mortes". Played by:National Philharmonic Orchestra, conductor:Leopold Stokowski.

The main theme to the film "The Green Mile". By Thomas Newman.

Nocturne in E-flat major, Op. 9, No. 2 Played by Vadim Chaimovich (https://www.youtube.com/vadimchaimovich) FB-Vadim: https://www.facebook.com/vadimchaimovich ----------------------------------------------------------------------------------- Instagram https://www.instagram.com/andrearomanoandrea Vincent van Gogh painted The Starry Night one year before dying. Chopin composed his popular Nocturne when he was about twenty. it does not matter if you think that it is too late for you or that you still have a lot of time...you have to decide whether you are Chopin or van Gogh. The idea behind these videos is coming from a research published by the Psychology Department of Berkeley University studying the relation between colors, emotions and how external stimuli are impacting decision making. The study results demonstrate a strong correlation between faster music in minor tone and the choice from participants of colors from that were saturated, yellower and lighter whereas a slower and minor music produced the opposite pattern (choice of desaturated, darker and bluer colors). Based on these findings, we wanted to create synesthesia in our videos and trigger more intense and long-lasting emotions in our viewers, get higher audience retention and interaction. We decided to do that by associating drawings from the major painters that were following the scientific findings of this research. The choice of these paintings and the consecutive association with the music is also based on an accurate work that requires significant time and energy. The analysis of the melodies returned to us a lot of information on how the painting should have been made. We needed a simple blue pattern but with an intrinsic meaning. Something that people could watch for a while without really understand it. By creating this video I tried to do only one thing which turned to be the most difficult one: make you feel an emotional synesthesia. When hearing the melody, don't you feel that everything is...blue? aren’t you lost in the sky? is your mind going over? It’s not for no reason. it is not only an image, it is not only a melody. It is a trip. You don't feel bored. Its your mind using the notes and the colors to create your own experience. Most of the videos online with only one image are only music, but not this. The research behind the perfect combination is the key for the unconscious. The research: "Music–color associations are mediated by emotion" https://www.pnas.org/content/110/22/8836 Stephen E. Palmer, Karen B. Schloss, Zoe Xu, and Lilia R. Prado-León -------------------------------------------------------------------------------------------------------------------------------- This popular nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. The A and B sections become increasingly ornamented with each recurrence. The penultimate bar utilizes considerable rhythmic freedom, indicated by the instruction, senza tempo (without tempo). Nocturne in E-flat major opens with a legato melody, mostly played piano, containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills. The nocturne also includes a subordinate melody, which is played with rubato.

Another very atmospheric score from Bernard Herrmann.

Jonathan Scott performs his solo organ arrangement of Sheep May Safely Graze [Recitative & Aria: Schafe können sicher weiden] BWV 208 by Johann Sebastian Bach on the organ of St. Lawrence's Parish Church in the historic 'plague village' of Eyam in Derbyshire, UK. The score of this arrangement is available here: http://www.scottbrothersduo.com/SCORES.htm Film & Sound by Tom Scott For more information about Jonathan Scott please visit: http://jonathanscott.co.uk Organ by Brindley & Foster, Sheffield 1879 SPECIFICATION SWELL (Enclosed) Vox Angelica 8 Violin Diapason 8 Gedackt 8 Gemshorn 4 Oboe 8 Trumpet 8 Tremulant GREAT Dulciana 8 Stop Diapason 8 Open Diapason 8 Principal 4 Twelth 2 2/3 Fifteenth 2 PEDAL Bourdon 16 Bass Flute 8 COUPLERS [Mechanical] Swell to Great Swell to Pedal Great to Pedal Manuals: Tracker Action Pedals: Tubular Pneumatic Action

Interstellar Docking Scene Music - No Time For Caution - Hans Zimmer Interstellar is a 2014 science fiction film directed by Christopher Nolan. Starring Matthew McConaughey, Anne Hathaway, Jessica Chastain, and Michael Caine, the film features a team of space travelers who travel through a wormhole in search of a new habitable planet. It was written by Jonathan Nolan and Christopher Nolan, Christopher combined his idea with an existing script by his brother that was developed in 2007 for Paramount Pictures and producer Lynda Obst. Nolan is producing the film with Obst and Emma Thomas. Theoretical physicist Kip Thorne, whose works inspired the film, acted as both an executive producer and a scientific consultant for the film. Warner Bros., who produced and distributed some of Nolan's previous films, negotiated with Paramount, traditionally a rival studio, to have a financial stake in Interstellar. Legendary Pictures, which formerly partnered with Warner Bros., also sought a stake. The three companies co-financed the film, and the production companies Syncopy and Lynda Obst Productions were enlisted. The director also hired cinematographer Hoyte van Hoytema since his long-time collaborator Wally Pfister was busy working on Transcendence, his directorial debut. Interstellar was filmed with a combination of anamorphic 35 mm and IMAX 70 mm film photography. Filming took place in the last quarter of 2013 in locations in the province of Alberta, Canada, in southern Iceland, and in Los Angeles, California. The visual effects company Double Negative created visual effects for Interstellar. Interstellar premiered on October 26, 2014 in Los Angeles, California. Commercially, it is scheduled for a limited release in North America (United States and Canada) on November 5, 2014 and a wide release on November 7, 2014. It will also be released in Belgium, France and Switzerland on November 5, 2014 and in additional territories in the following days, including the United Kingdom on November 7, 2014. For the limited release in North America, it will be released in 70 mm and 35 mm film formats in approximately 240 theaters which still project the formats, including at least 41 70 mm IMAX theaters. For the wide release, it will expand to theaters that will show it in digital format. Paramount Pictures will distribute the film in North America, and Warner Bros. will distribute it in the remaining territories Interstellar OST - No Time For Caution - Hans Zimmer (Original Motion Picture Soundtrack) Interstellar Docking Soundtrack Interstellar OST,Interstellar Soundtrack,Interstellar Docking,Interstellar No Time For Caution,Interstellar 인터스텔라,인터스텔라 음악,인터스텔라 도킹,인터스텔라 명장면,인터스텔라 트레일러,인터스텔라 OST

Interested in affordable online therapy? Try a free 7 day trial at http://betterhelp.go2cloud.org/aff_c?offer_id=2&aff_id=36 Adagio for Strings by Samuel Barber, enjoy! This video combines the beautiful Adagio for Strings with an awe-inspiring slideshow. Performed by the New Zealand Symphony Orchestra Album: The 100 Most Essential Pieces of Classical Music Pictures from: http://tinyurl.com/adagioforstrings

Thomas Newman Whisper of a thrill(Meet Joe Black Soundtrack)

The film's minimal score was composed by Alan Silvestri for which he won a Grammy Award in 2002. The film's soundtrack is most notable for its lack of score and creature sound effects (such as bird song or insect sounds) while Chuck is on the island, which is intended to reinforce the feeling of isolation. Cast Away contains no original musical score until Chuck escapes the island. However, there is a Russian choral piece heard near the start of the film that was not composed or even recorded by Silvestri, so it does not appear on the film's soundtrack list. It is a traditional Russian song written by Lev Knipper called "Oh, My Field" ("Polyushko, Polye") and it is available on various collections of Red Army hymns. The tracks in Silvestri's score are as follows:

theme from the movie! Composer - Samuel Barber

Samuel Barber - Agnus Dei (Adagio for Strings). Magnique musique classique avec choeurs sublimes... La voix des anges! ─ Beautiful classical music with sublime vocals... The voice of angels! Agnus Dei, Op. 11 de Johannes Hiemetsberger & Chorus Sine Nomine

Enjoy this beautiful piece with an appropriately awe-inspiring slideshow :) The Adagio in G minor for violin, strings and organ continuo, is a neo-Baroque composition popularly attributed to the 18th century Venetian master Tomaso Albinoni, but in fact composed almost entirely by the 20th century musicologist and Albinoni biographer Remo Giazotto. MoodTools is available at http://www.moodtools.org/ Piece actually composed by Remo Giazotto based on Tomaso Albinoni's work.

The Matrix Soundtrack Credits: Rob Dougan robdougan.com

Samuel Barber's Adagio for Strings performed by the Folsom Symphony, June 2, 2012 "Summer Symphony at the Movies" (Theme for movie, Platoon). Maestro Neumann coaches the audience on applause and dramatic pause. Performed at Three Stages, Folsom, CA.

A suite with the best themes from "The Last Samurai" soundtrack. The score was composed by Hans Zimmer and produced by Edward Zwick and Danny Bramson. Label : Elektra Records "The Last Samurai" is a epic war film directed by Edward Zwick. Studio: Radar Pictures; Bedford Falls Company; Cruise/Wagner Picture: Warner Bros. Distributed by Warner Bros. Pictures, 2003. Do you want more film music? Click right here: http://www.youtube.com/playlist?list=PLbxzxQs7nvxm80vHJ7s3pmczwF7k94vLv

Here is the full version of the song that is used in the movie 'the fall'. Hope you enjoy it.

Buy directly from the artist: http://smarturl.it/Way-Bonus_Bandcamp iTunes: http://smarturl.it/Way-Bonus_iTunes Spotify: http://smarturl.it/Way-Bonus_Spotify Follow Zack on Facebook: https://fb.me/zackhemseymusic Twitter: https://twitter.com/zack_hemsey Track 11 from the album The Way (Bonus Disk). To hear the original song with lyrics, go to https://youtu.be/Nco7qfrPG7I Music composed, orchestrated, and mixed by Zack Hemsey. Audio mastered by Lou Hemsey @ Lou Hemsey Music and Film. Artwork & Design by Omead Afshari Website: https://www.zackhemsey.com/

Official Season 6 Soundtrack available on iTunes: https://itunes.apple.com/us/album/game-thrones-season-6-music/id1126106075 FULL SOUNDTRACK PLAYLIST: https://www.youtube.com/playlist?list=PLrqrQt36ddwDhQFbwqz5cB5C6Ab71ykQR Soundtrack composed by Ramin Djawadi.

Interstellar Main Theme - Extra Extented - Soundtrack by Hans Zimmer

Schindler’s list full soundtrack, composed by John Williams. Facebook: https://www.facebook.com/pages/Corvinus/1442999625957217?ref=hl Get this soundtrack on iTunes: https://itunes.apple.com/us/album/schindlers-list-soundtrack/id3433124 Get this soundtrack on Amazon: http://www.amazon.com/Schindlers-List-John-Williams/dp/B000002OR4 Track list: 00:00 – 04:30 : Theme From Schindler’s List 04:31 – 09:10 : Jewish Town 09:11 – 14:09 : Immolation (With Our Lives, We Give Life) 14:10 – 18:44 : Remembrances 18:45 – 28:07 : Schindler’s Workforce 28:08 – 31:03 : Pripetshok und Nacht Aktion 31:04 – 37:11 : I Could Have Done More 37:12 – 41:07 : Auschwitz-Birkenau 41:08 – 45:42 : Stolen Memories 45:43 – 51:07 : Making the List 51:08 – 56:17 : Give Me Your Names 56:18 – 58:34 : Yeroushalaim Chel Zahav (Jerusalem of Gold) 58:35 – 1:04:06 : Remembrances (with Itzhak Perlman) 1:04:07 – 1:07:20 : Theme From Schindler’s List (Reprise) I do not own anything, this video was made to serve entertainment purposes only!

By Samuel Barber. Including timecode!

Homeworld Soundtrack | Samuel Barber - Adagio for Strings

Samuel Barber's Adagio for Strings conducted by Leonard Bernstein

"Unravelling" composed by Harry Escott from the Motion Picture Soundtrack to the film "Shame" starring Michael Fassbender and Carey Mulligan. Directed by Steve McQueen ("Hunger"). Very similar in style, tone, and rhythm to Hans Zimmer's "Journey to the Line." Theatrical release dates http://content.foxsearchlight.com/inside/node/5037 12/2/2011 NEW YORK, NY AMC Lincoln Square. New York, NY Chelsea Cinemas, New York, NY Sunshine Cinemas, New york, NY LOS ANGELES, CA The Landmark, Los Angeles, CA Pacific Arclight, Hollywood, CA WASHINGTON, DC E-Street Cinemas, Washington, DC CHICAGO, IL Century Center Cinema, Chicago, IL SAN FRANCISCO, CA Embarcadero, San Francisco, CA Kabuki, San Francisco, CA 12/9/2011 BOSTON, MA Kendall Square Cinemas, Cambridge, MA WASHINGTON, DC Bethesda Row, Bethesda, MD NEW YORK, NY AMC Empire, Mew York, NY PHILADELPHIA, PA Ritz Five, Philadpehia, PA Rave Ritz Center 16, Voorhees, NJ DALLAS, TX Angelika Mockingbird, Dallas, TX SAN DIEGO, CA Hillcrest Cinema, San Diego, CA SEATLLE, WA Pacific Place, Seatlle, WA 12/16/2011 BOSTON, MA Boston Common, Boston, MA BALTIMORE, MD Charles Theater, Baltimore, MD WASHGINTON, DC Shirlington, Arlington, VA DETROIT, MI Main Art, Royal Oak, MI MINNEAPOLIS, MN Uptown, Minneapolis, MN AUSTIN, TX Arbor Cinema @ Great Hills, Austin, TX DALLAS, TX Angelika Plano, Plano, TX MIAMI/FT. LAUDERDALE, FL South Beach Theater, Miami Beach, FL Gateway, Ft. Lauderdale, FL DENVER, CO Mayan, Denver, CO PHOENIX, AZ Harkins Camelview Plaza, Scottsdale, AZ SAN DIEGO, CA AMC La Jolla, La Jolla, CA PORTLAND, OR Cinema 21, Portland, OR SAN FRANCISCO, CA Aquarius Twin, Palo Alto, CA Rafael Film Center, San Rafael, CA

Samuel Barber - Adagio for Strings Cieli toscani, foto del sottoscritto.

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